Orchestre Métropolitain de Montréal
Part of: Yannick Nézet-Séguin Perspectives and Joyce DiDonato Perspectives
Yannick Nézet-Séguin is also performing October 15, December 15, March 13, March 20, March 26, April 3, June 12, and June 16.
Joyce DiDonato is also performing November 15, December 15, April 5, April 6, April 7, April 8, April 13, and May 26.
Performers
Orchestre Métropolitain de Montréal
Yannick Nézet-Séguin, Artistic Director and Principal Conductor
Joyce DiDonato, Mezzo-Soprano
Program
MOZART Overture to La clemenza di Tito
MOZART "Parto, parto, ma tu ben mio" from La clemenza di Tito
MOZART "Non più di fiori" from La clemenza di Tito
BRUCKNER Symphony No. 4, "Romantic"
Encores:
MOZART "Voi che sapete" from Le nozze di Figaro
ARCHER Poem for Orchestra (excerpt)
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission. Please note there will be no late seating before intermission.At a Glance
Mozart and Bruckner are two Austrian composers who are often featured together on concert programs. They were as different in their means and methods as were the aesthetic principles of the two eras, a century apart, in which they lived. Both, however, possessed the gift for touching on the sublime in music—intimations of worlds beyond the material realm.
Mozart reached his greatest heights when he was writing for the human voice. Despite his deteriorating health and financial pressures, the last year of his life was one of frantic creativity. While in the midst of composing both Die Zauberflöte and the Requiem, Mozart received a commission that resulted in his penultimate opera, La clemenza di Tito.
The Fourth, or “Romantic,” Symphony is the most frequently performed of Bruckner’s mighty “symphonies to God.” Perhaps that is because it is also the one that stays closest to our own world in the chivalric imagery of its first movement and the earthy pleasures of its Scherzo, suggesting the rural life of Upper Austria he never really left behind.