Vienna Philharmonic Orchestra
Performers
Vienna Philharmonic Orchestra
Michael Tilson Thomas, Conductor
Igor Levit, Piano
Program
IVES Decoration Day
BEETHOVEN Piano Concerto No. 3
BRAHMS Symphony No. 2
Encores:
SCHUMANN "Kind im Einschlummern" and "Der Dichter spricht" from Kinderszenen, Op. 15
BRAHMS Hungarian Dance No. 10 in F Major (arr. Brahms)
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.Pre-Concert Talk
Pre-concert talk at 7 PM with Elaine Sisman, Anne Parsons Bender Professor of Music, Columbia University.Read More
At a Glance
This concert presents three contrasting masterpieces: two by composers steeped in great tradition, and one by a composer who started his own. Like Beethoven, Ives was a daring innovator who bridged two centuries. His collage-like Decoration Day invokes childhood memories of an annual celebration of Civil War dead, presenting ghost-like fragments of American hymns and marching-band tunes in a mysterious polyphonic haze. Beethoven’s Third Piano Concerto is grounded in 18th-century Viennese Classical form, yet is filled with novel ideas and structures. It has a power and severity that are a contrast to the more genial Haydnesque character of the composer’s first two piano concertos. Brahms’s Second Symphony, on the other hand, is a sunny, upbeat work that came in a burst of inspiration after the lengthy and torturous process of writing his First Symphony. The most Classical of the Romantics, Brahms was a preserver of the Haydn-Beethoven tradition in the era of Liszt and Wagner, yet his melodies—especially those in the Second Symphony—are as lyrical as those of any Romantic. His structural ingenuity was even admired by modernists, including Ives, who quoted Brahms in his own Second Symphony.