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Event is Live
CARNEGIE HALL PRESENTS

Vienna Philharmonic Orchestra

Wednesday, March 6, 2019 8 PM Stern Auditorium / Perelman Stage
Michael Tilson Thomas by Chris Wahlberg
Mahler’s final complete symphony is the brilliant culmination of his career. The grand scale, intense emotion, earthy dance, and startling power—the hallmarks of his symphonies—are also present, pointing to an ethereal finale that ascends to the otherworldly. Michael Tilson Thomas and the Vienna Philharmonic Orchestra—both renowned Mahler interpreters—offer a vision into the eternal.

Vienna Philharmonic Orchestra is also performing March 2March 3, and March 5.

Michael Tilson Thomas is also performing October 3October 4, March 5May 1, and May 2.

Performers

Vienna Philharmonic Orchestra
Michael Tilson Thomas, Conductor

Program

MAHLER Symphony No. 9

Event Duration

The printed program will last approximately 90 minutes with no intermission. Please note that there will be no late seating.

Pre-Concert Talk

Pre-concert talk at 7 PM with Marilyn McCoy, Adjunct Assistant Professor of Music, Columbia University and Barnard College.
Michael Tilson Thomas: 2018–2019 Perspectives Artist
Mihuzo logo
This performance is sponsored by Mizuho Americas.
Major support for this concert is provided by the Audrey Love Charitable Foundation.
The Vienna Philharmonic Residency at Carnegie Hall is made possible by a leadership gift from the Mercedes T. Bass Charitable Corporation.
Rolex is the Exclusive Partner of the Vienna Philharmonic.

At a Glance

Mahler’s Ninth Symphony is commonly regarded as his farewell to the world, even though he went out of his way to ensure it was not his final work in the form. It is full of unearthly tremors and sighs, but also hymn-like serenity and a great deal of mischief. It has an emotional complexity and richness that are striking even for Mahler. The work may be a commentary on death, as are many of Mahler’s compositions, but it is also an affirmation of life. The Ninth features the usual huge Mahler orchestra, but many sections have a chamber-like intimacy. The opening movement alternates an understated, sighing melody with an explosive, fateful fanfare. The two middle movements are wistful, sardonic, wildly colorful, and full of Viennese vernacular music. The symphony concludes with one of the composer’s most sublime slow movements, which gradually attenuates into a breathtaking fade-out.

Bios

Vienna Philharmonic Orchestra

There is perhaps no other musical ensemble more closely associated with the history and tradition of European classical music than the Vienna Philharmonic Orchestra. In the course of the ...

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Michael Tilson Thomas

Michael Tilson Thomas is music director of the San Francisco Symphony, founder and artistic director of the New World Symphony, and principal guest conductor of the London Symphony ...

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