Ensemble Connect
Performers
Ensemble Connect
·· Leo Sussman, Flute
·· Tamara Winston, Oboe
·· Noémi Sallai, Clarinet
·· Yen-Chen Wu, Bassoon
·· Wilden Dannenberg, French Horn
·· Sae Hashimoto, Percussion
·· Tomer Gewirtzman, Piano
·· Jennifer Liu, Violin
·· Ari Evan, Cello
Program
LIGETI Six Bagatelles for Wind Quintet
GABRIELLA SMITH Anthozoa (NY Premiere, commissioned by Carnegie Hall)
KAIJA SAARIAHO Light and Matter
BRAHMS Clarinet Trio in A Minor, Op. 114
Event Duration
The printed program will last approximately 90 minutes, including one 20-minute intermission.Additional support has been provided by the Arnow Family Fund, The Gladys Krieble Delmas Foundation, E.H.A. Foundation, Barbara G. Fleischman, Leslie and Tom Maheras, Susan and Elihu Rose Foundation, Sarah Billinghurst Solomon and Howard Solomon, and Trust for Mutual Understanding.
Public support is provided by the New York City Department of Education and the New York State Council on the Arts with support of Governor Andrew Cuomo and the New York State Legislature.
Ensemble Connect is also supported, in part, by an endowment grant from The Kovner Foundation.
At a Glance
LIGETI Six Bagatelles for Wind Quintet
Hungarian composer György Ligeti was an adventurous explorer of textures, harmonies, and rhythms. Early in his career, he concentrated on distilling his musical language to its essence, as illustrated by these finely wrought miniatures that cover a wide range of textures and expression despite using a purposefully limited number of pitches.
GABRIELLA SMITH Anthozoa
Gabriella Smith combines her passions for music and ecology in this brand-new work for piano trio and percussion. “I get a lot of my inspiration from the forms, structures, and energies in the natural world,” says the young California-born composer, “and I also like math, which can describe these forms, designs, and energies so elegantly.”
KAIJA SAARIAHO Light and Matter
Dating from 2014, Kaija Saariaho’s richly atmospheric piano trio displays her characteristic sensitivity to instrumental colors and timbres. The music was inspired by the changing patterns of light the Finnish composer observed from the window of her New York City apartment overlooking Morningside Park.
BRAHMS Clarinet Trio in A Minor, Op. 114
This warmly lyrical trio for clarinet (or viola), cello, and piano belongs to a cluster of masterworks that Brahms wrote near the end of his life after meeting the distinguished clarinetist Richard Mühlfeld. The composer was so enamored with Mühlfeld’s lithe, silken tone that he affectionately nicknamed him “Fräulein Klarinette.”