Juan Diego Flórez, Tenor
Vincenzo Scalera, Piano
Performers
Juan Diego Flórez, Tenor
Vincenzo Scalera, Piano
Program
ROSSINI "Addio ai viennesi"
ROSSINI Bolero ("Mi lagnerò tacendo")
DONIZETTI Waltz for Piano in C Major
DONIZETTI "Una furtiva lagrima" from L'elisir d'amore
DONIZETTI "Tombe degli avi miei...Fra poco a me ricovero" from Lucia di Lammermoor
VERDI "Ô toi que j'ai chérie" from Les vêpres siciliennes
VERDI "La mia letizia infondere...Come poteva un angelo" from I Lombardi
MASSENET "Ouvre tes yeux bleus" from Poème d’amour, No. 3
MASSENET "En fermant les yeux" from Manon
MASSENET "Ah, fuyez douce image" from Manon
MASSENET Meditation from Thaïs
GOUNOD "Salut! demeure chaste et pure" from Faust
MASSENET "Pourquoi me réveiller" from Werther
PUCCINI "Che gelida manina" from La bohème
Encores:
VELÁSQUEZ "Bésame mucho"
GRANDA "La flor de la canela"
MÉNDEZ "Cucurrucucú paloma"
DONIZETTI "Pour mon âme, quel destin!" from La fille du régiment
BRODSZKY "Be My Love" from The Toast of New Orleans
LARA "Granada"
PUCCINI "Nessun dorma" from Turandot
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.At a Glance
This afternoon’s program is about discovering the unexpected possibilities of a voice we think we know well. Since Juan Diego Flórez has long been renowned as today’s foremost tenor who specializes in the bel canto repertoire, it is not surprising that his recital program should begin with works by two bel canto giants: Rossini and Donizetti. However, these selections are not quite what we might expect to hear from him. Instead of arias, he has chosen two songs by Rossini, which, nevertheless, offer plenty of opportunities for bravura display. In the case of the two Donizetti selections, he moves beyond leggiero roles to the purely lyric music of L’elisir d’amore, and then further still to the highly dramatic final scene of Lucia di Lammermoor.
The rest of the program sees Mr. Flórez venture into heavier repertoire, including the operas of Verdi, Massenet, Gounod, and even Puccini. Many of these arias are among the most famous in the lyric tenor category, relying less on agility and more on the ability to color the voice with a rich palette of tones and project extreme emotions.