New World Symphony
New World Symphony is also performing May 2.
Michael Tilson Thomas is also performing October 3, October 4, March 5, March 6, and May 2.
Yuja Wang is also performing October 26, February 6, February 11, April 10, and May 2.
Performers
New World Symphony
America’s Orchestral Academy
Michael Tilson Thomas, Artistic Director and Conductor
Yuja Wang, Piano
Program
JULIA WOLFE Fountain of Youth (NY Premiere, co-commissioned by Carnegie Hall)
PROKOFIEV Piano Concerto No. 5
BERLIOZ Symphonie fantastique
Encores:
MICHAEL TILSON THOMAS MICHAEL TILSON THOMAS You Come Here Often? for Solo Piano
WAGNER Prelude to Act III of Lohengrin
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.Read More
Video directed by Habib Azar.
At a Glance
Julia Wolfe, a co-founder of the indie-classical collective Bang on a Can, has preserved her iconoclastic ethos even as she has reached the highest echelons of musical achievement, including a Pulitzer Prize in 2015 and a MacArthur “Genius Grant." She has become known for serious works on topics like exploitative labor practices, but for this co-commission from the New World Symphony and Carnegie Hall, she and Michael Tilson Thomas decided instead to focus on “serious fun.” In her new work, Fountain of Youth, Wolfe pays tribute to “this incredible orchestra of young people” and Michael Tilson Thomas, “who is forever young,” while also recalling Florida’s legendary wellspring sought by Ponce de León in the 16th century.
Prokofiev’s Piano Concerto No. 5, completed in 1932 and premiered with the Berliner Philharmoniker, speaks to the crossroads that this Russian expatriate faced in Europe, where his self-described “new simplicity” chafed against modernist trends. The unruly concerto in five short movements brought Prokofiev into dialogue with the fashions of that time and place, producing music as incisive as Stravinsky’s and as nonchalant as Ravel’s.
Berlioz was an unlikely musical revolutionary who only began dabbling in composition and teaching himself harmony out of a book at the age of 12. His breakthrough work, completed while he was still a student at the Paris Conservatoire, grew out of his infatuation with an Irish actress he first saw playing Ophelia in Shakespeare’s Hamlet. In his program note for the Symphonie fantastique, as he subtitled it, Berlioz described “a young musician of morbid disposition and powerful imagination” who “poisons himself with opium in an attack of despairing passion.” In the ensuing opium dream, “the beloved herself appears to him as a melody … an obsessive idea that he keeps hearing wherever he goes.”