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CARNEGIE HALL PRESENTS

The Philadelphia Orchestra

Friday, March 8, 2019 8 PM Stern Auditorium / Perelman Stage
Yannick Nézet-Séguin by Jan Regan Photography, Jan Lisiecki by Holger Hage
Music from the tragically short lives of two great Romantic composers is featured. Mendelssohn’s concerto, composed when he was 22 years old, is filled with youthful high spirits, thrills with its bravura solo part, and sings with beautiful melody. Schubert’s “Great” Symphony, his last orchestral work, is colossal and imbued with flowing lyricism, propulsive energy, and tremendous emotion. Regrettably, Schubert never lived to hear the work, which anticipates the epic symphonies of Bruckner, Mahler, and beyond.

The Philadelphia Orchestra is also performing November 13 and June 7.

Yannick Nézet-Séguin is also performing November 13, June 3June 7, and June 14.

Performers

The Philadelphia Orchestra
Yannick Nézet-Séguin, Music Director and Conductor
Jan Lisiecki, Piano

Program

NICO MUHLY Liar, Suite from Marnie (NY Premiere)

MENDELSSOHN Piano Concerto No. 1

SCHUBERT Symphony No. 9, "Great"


Encore:

MENDELSSOHN Song Without Words in F-sharp Minor, Op. 30, No. 6, "Venetianisches Gondellied"

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.

At a Glance

Earlier this season, the Metropolitan Opera presented the US premiere of American composer Nico Muhly’s sensational opera Marnie, based on Winston Graham’s novel and Alfred Hitchcock’s film. A few weeks before, The Philadelphia Orchestra offered the world premiere of its companion orchestral suite, Liar, which now comes to Carnegie Hall.

Already as a child, Felix Mendelssohn was recognized as someone with extraordinary gifts. At age 22, he unveiled his innovative Piano Concerto No. 1 during a benefit concert in Munich, which he conducted and performed as soloist. All went splendidly, as he reported to his parents: The event was “more brilliant and more fun than I had expected,” and the concerto “met with a long and vivid reception.”

Although Franz Schubert completed seven symphonies, and left others unfinished, he seems to have acknowledged just one as a fully mature work. The “Great” C-Major Symphony was a majestically bold statement from the 28-year-old composer, written in the shadow of Beethoven’s recent Ninth Symphony, and a work that displayed Schubert’s highest aspirations. Although it was not performed in public during his lifetime, the symphony was discovered by Robert Schumann on a visit to Vienna, and he gave it to Mendelssohn, who conducted the belated premiere in 1839.

Bios

The Philadelphia Orchestra

The Philadelphia Orchestra is one of the preeminent orchestras in the world, renowned for its distinctive sound, desired for its keen ability to capture the hearts and imaginations of ...

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Yannick Nézet-Séguin

Music Director Yannick Nézet-Séguin will lead The Philadelphia Orchestra through at least the 2025–2026 season, an extraordinary and significant long-term commitment. ...

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Jan Lisiecki

Just 23, Canadian pianist Jan Lisiecki has won acclaim for his extraordinary interpretive maturity, distinctive sound, and poetic sensibility. His insightful interpretations, refined ...

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