The Philadelphia Orchestra
Part of: Carnegie Hall Live on WQXR and Carnegie Hall Live on WQXR
The Philadelphia Orchestra is also performing November 13 and March 8.
Yannick Nézet-Séguin is also performing November 13, March 8, June 3, and June 14.
Beatrice Rana is also performing March 12.
Performers
The Philadelphia Orchestra
Yannick Nézet-Séguin, Music Director and Conductor
Beatrice Rana, Piano
Program
STRAVINSKY Funeral Song
PROKOFIEV Piano Concerto No. 3
RACHMANINOFF Symphony No. 1
Encore:
CHOPIN Etude in A-flat Major, Op. 25, No. 1
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.Pre-Concert Talk
Pre-concert talk at 7 PM with Dr. Elizabeth Bergman, musicologist and author of Music for the Common Man: Aaron Copland during the Depression and War.At a Glance
Hope springs eternal, and ones of discovering long-lost works of art are especially enticing. The reality is typically more sobering, because what turns up—be it a painting, novel, or symphony—is usually more of a curiosity than gold, the news more hype than substance. Sometimes, however, such discoveries can be significant and revelatory. The concert tonight is framed by two brilliant works by Russian composers at the start of celebrated careers that were long thought lost in the wake of the Russian Revolution, but that were later found.
The premiere of Sergei Rachmaninoff’s First Symphony in 1897 was a bitter disappointment for the young composer, who took quite some years to recover. He left Russia in 1917, soon after the October Revolution, never to return. Rachmaninoff thought the symphony was lost, although orchestral parts were discovered after his death and the piece finally got its chance to enter the repertory.
The situation with Igor Stravinsky’s Funeral Song is similar: The 26-year-old began composing it to honor his beloved teacher, Nikolai Rimsky-Korsakov, and it premiered at a 1909 concert in his memory. Stravinsky soon left the country to win great success in the West. His early composition was also thought lost, but was discovered in 2015.
Sergei Prokofiev also left Russia after the Revolution. He lived in America and Europe for nearly 20 years, only to return permanently to the Soviet Union in 1936. When he fled in 1918, he left some of his compositions behind, among them the Second Piano Concerto, which he later reconstructed from memory. His Third Piano Concerto, which we will hear tonight, premiered in Chicago in 1921. The work became Prokofiev’s musical calling card to display his gifts as composer and pianist in America and Europe.