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Event is Live
CARNEGIE HALL PRESENTS

NYO2

Tuesday, July 24, 2018 7:30 PM Stern Auditorium / Perelman Stage
Carlos Miguel Prieto by Benjamin Ealovega, Gil Shaham by Luke Ratray
Comprising a "remarkable array of talent" (The New York Times), NYO2 is an orchestral training program for talented young players ages 14–17 with a focus on recruiting musicians from communities underrepresented in classical music. NYO2 is joined by conductor Carlos Miguel Prieto and violinist Gil Shaham for a performance of Mexican and Russian masterpieces that include the vibrant suite from Revueltas's Redes, a Prokofiev concerto in which rich melodies frame a driving central movement, and Shostakovich's dramatic Symphony No. 5.

Part of: NYO2

Performers

Carlos Miguel Prieto, Conductor
Gil Shaham, Violin

with
Fellows of the New World Symphony, America’s Orchestral Academy

Program

REVUELTAS Suite from Redes (arr. Erich Kleiber)

PROKOFIEV Violin Concerto No. 1

SHOSTAKOVICH Symphony No. 5


Encores:

GIMÉNEZ Intermezzo from La boda de Luis Alonso

GINASTERA "Malambo" from Estancia

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.
Experience NYO2 This Summer
Lead Donors: Hope and Robert F. Smith; Marina Kellen French and the Anna-Maria and Stephen Kellen Foundation; and Beatrice Santo Domingo.

Leadership support for NYO2 is provided by The Andrew W. Mellon Foundation.
Founder Patron: Beatrice Santo Domingo.

With additional funding provided by the Arison Arts Foundation and Ernst & Young LLP.
Public support is provided by the National Endowment for the Arts.

At a Glance

This concert presents three colorful, brilliantly orchestrated 20th-century masterpieces. Revueltas’s Suite from Redes (Nets), a film score from 1935, is a stark evocation of an impoverished Mexican fishing village and its exploitation by corporate interests. Full of biting, bitonal harmonies and vibrant rhythms, it preserves the essence of Mexican vernacular music without quoting it. Prokofiev’s First Violin Concerto was written during the Russian Revolution, but well before the Stalinist era; he did not have to contend with the political crosscurrents that Shostakovich would face with his Fifth Symphony. The work is full of fantasy, excitement, and technical virtuosity—a contrast to the more classical Second Violin Concerto, written in the 1930s under strict Soviet constraints. Shostakovich’s Fifth—the Russian composer’s most popular symphony—was written during the darkest period of Stalinist oppression, and has set off an endless controversy about his ideological intentions and alleged musical codes. The music itself is powerful, emotionally varied, and exceptionally lyrical. Like many Shostakovich symphonies, it is indebted to Mahler, especially in its juxtaposition of the sublime with the banal, its fondness for marches, the garish folk tunes in the scherzo, and the hymn-like lyricism in the slow movement.

Bios

NYO2

Created by Carnegie Hall’s Weill Music Institute in the summer of 2016, NYO2 brings together outstanding young American instrumentalists ages 14–17 for a summer orchestra ...

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New World Symphony, America's Orchestral Academy

The New World Symphony, America’s Orchestral Academy (NWS), prepares graduates of music programs for leadership roles in professional orchestras and ensembles. In the 31 years since ...

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Carlos Miguel Prieto

Carlos Miguel Prieto’s charismatic conducting and expressive interpretations have led to major engagements and popular acclaim throughout North America and Europe. Recognized as the ...

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Gil Shaham

Gil Shaham is one of the foremost violinists of our time. His flawless technique, combined with his inimitable warmth and generosity of spirit, has solidified his renown as an American ...

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