NYO Jazz
Part of: NYO Jazz
Performers
Sean Jones, Bandleader and Trumpet
with Special Guests
Dianne Reeves, Vocals
Wycliffe Gordon, Trombone
Program
CHRISTIAN MCBRIDE “Brother Mister”
JONES “Tiptoe”
WAYNE SHORTER "Speak No Evil” (arr. Igmar Thomas)
MONK "Light Blue" (arr. John Beasley)
SEAN JONES “The Ambitious Violet” (arr. John Clayton, commissioned by Carnegie Hall)
MIGUEL ZENÓN “Run With Jones” (commissioned by Carnegie Hall)
FOSTER "Shiny Stockings"
COLTRANE JOHN COLTRANE Giant Steps (arr. Frank Foster)
ELLINGTON / STRAYHORN “Isfahan”
WYCLIFFE GORDON "Medley: We’re Still Here / He’s Alright”
LOESSER “If I Were a Bell” (arr. John Clayton)
MICHAEL LEGRAND / ALAN BERGMAN / MARILYN BERGMAN “The Windmills of Your Mind” (arr. Peter Martin)
STYNE/COMDEN/GREEN “Make Someone Happy” (arr. John Beasley)
JOHN CLAYTON “I Be Serious ’bout Dem Blues”
Encore:
IGMAR THOMAS “R&P”
Event Duration
The program will last approximately two hours, including one 20-minute intermission.Major support has been provided by the Doris Duke Charitable Foundation and Clive Gillinson.
Additional support has been provided by the Arison Arts Foundation; Bank of America; and The Netherland-America Foundation.
In the Artist’s Own Words
For me, the big band has always been America’s orchestral format and one of the most wide-ranging ensembles ever devised. Its ability to produce a full-throated sound and also serve as a chamber ensemble, highlighting the interplay of individual voices, allows it to convey nearly any style of music in a sonically stimulating and interactive way. The program we’ve prepared exhibits this diversity by placing classic big-band works from Duke Ellington, Count Basie, and Thad Jones alongside pieces that exemplify how the big band can be a vehicle for contemporary American music. We will move between standards—such as “Isfahan” and “Shiny Stockings” from the Ellington and Basie repertoire, respectively—to pieces like “Got to Give it Up” by Marvin Gaye and “R&P” by Igmar Thomas, representing hip-hop, R&B, and a variety of American musical genres. In addition to these works, we are honored to be premiering an original composition by MacArthur and Guggenheim fellow Miguel Zenón, and new arrangements by John Clayton and John Beasley—all of which were written for NYO Jazz and commissioned by Carnegie Hall.
—Sean Jones