Founded in 2000 by Artistic Director Christina Pluhar, L'Arpeggiata is composed of some of
today's finest soloists who work in collaboration with the most exceptional singers from
the Baroque music world. L'Arpeggiata's performances are based on instrumental
improvisation and singing that focuses on vocal interpretation influenced by traditional
music.
Since its founding, L'Arpeggiata has received incredible responses from audiences and
outstanding critical acclaim. Its albums--including La Villanella; Homo fugit
velut umbra; La Tarantella; Teatro d'Amore; All' Improvviso;
Rappresentatione di Anima, et di Corpo; Los Impossibles; Via
Crucis; and Monteverdi's Vespro della Beata Vergine--have earned a string of
accolades, among them ECHO Klassik and Edison Classical Music awards. Los Pájaros
Perdidos (2012) is devoted to traditional and Baroque music from Latin America, and
Mediterraneo (2013) features fado singer Mísia. The ensemble released L'amore
innamorato, an album dedicated to the most beautiful opera arias for soprano by
Francesco Cavalli, and most recently Orfeo Chamán, a selection of music composed
and arranged by Ms. Pluhar.
L'Arpeggiata has participated in many festivals around the world, including the London
Festival of Baroque Music, Festival Oude Muziek in Utrecht, Festival Baroque de Pontoise,
Printemps des arts in Nantes, Rencontres Musicales de Vézelay, Festival International de
Musiques Sacrées in Fribourg, Festival de l'Abbaye de Saint-Michel en Thiérache, Festival
de Sablé, Ludwigsburger Schlossfestspiele, and Hong Kong Arts Festival.
Christina Pluhar
Christina Pluhar, founder and artistic director of the L'Arpeggiata, discovered her deep
affinity with Renaissance and Baroque music after studying classical guitar at the
University of Graz in Austria.
She devoted herself to the studies of the lute, theorbo, baroque guitar, and baroque harp
at the Royal Conservatoire of The Hague (Netherlands) with Toyohiko Satoh, Schola Cantorum
Basiliensis (Switzerland) with Hopkinson Smith, and Civica Scuola di Musica di Milano
(Italy) with Mara Galassi, followed by master classes with Paul O'Dette, Andrew
Lawrence-King, and Jesper Christensen.
In 1992, Ms. Pluhar moved to Paris, where she performed both as a soloist and a continuo
player with Ensemble La Fenice (Jean Tubéry), Hespèrion XXI (Jordi Savall), Il Giardino
Armonico, Concerto Soave (María Cristina Kiehr), Accordone (Marco Beasley), Ensemble Elyma
(Gabriel Garrido), Les Musiciens du Louvre (Marc Minkowski), Ricercar Consort (Philippe
Pierlot), La Grande Écurie et la Chambre du Roy (Jean-Claude Malgoire), and Cantus Cölln
(Konrad Junghänel), among others. As a continuo player, she has performed with orchestras
under the direction of René Jacobs, Alessandro De Marchi, and Gabriel Garrido. From 2001 to
2005, she was assistant conductor to Ivor Bolton at the Munich Opera House. As a guest
conductor, she was invited to conduct the Australian Brandenburg Orchestra (Sydney),
European Union Baroque Orchestra, and Orchestra Divino Sospiro (Portugal).
Since 1993, Ms. Pluhar has conducted master classes at the University of Graz; since 1999,
she has served as professor of Baroque harp at the Royal Conservatoire of The Hague.
In 2000, Ms. Pluhar founded L'Arpeggiata. Selecting some of the finest artists in Europe
as members, L'Arpeggiata achieved success virtually overnight with its first CD, La
Villanella (a collection of Giovanni Girolamo Kapsberger vocal works). In 2012,
L'Arpeggiata--under Ms. Pluhar's direction--became the first baroque ensemble to be named a
Perspectives artist at Carnegie Hall.