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CARNEGIE HALL PRESENTS

Orchestra dell’Accademia Nazionale di Santa Cecilia

Friday, October 20, 2017 8 PM Stern Auditorium / Perelman Stage
Sir Antonio Pappano by Musacchio and Ianniello / EMI Classics, Martha Argerich by Adriano Heitmann
The rarely performed Sinfonia that Verdi wrote for the La Scala premiere of Aida is a full-fledged overture that reflects themes from the opera, while Respighi’s Fountains of Rome and Pines of Rome are spectacularly orchestrated tone poems that evoke the beauty of the Eternal City. To add to the festivities, Martha Argerich returns to Carnegie Hall after a nine-year absence to play Prokofiev’s Piano Concerto No. 3—one of her specialties.

Performers

Orchestra dell'Accademia Nazionale di Santa Cecilia (Rome)
Sir Antonio Pappano, Music Director and Conductor
Martha Argerich, Piano

Program

VERDI Sinfonia from Aida

PROKOFIEV Piano Concerto No. 3

RESPIGHI Fountains of Rome

RESPIGHI Pines of Rome


Encores:

RAVEL "Laideronnette: Impératrice des Pagodes" from Ma mère l'oye (Piano Four Hands, Martha Argerich and Sir Antonio Pappano)

SIBELIUS Valse triste, Op. 44, No. 1

ROSSINI Allegro vivace from William Tell Overture

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.

Pre-Concert Talk

Pre-concert talk starts at 7:00 PM in Stern Auditorium / Perelman Stage with Alain Frogley, Professor of Music History, University of Connecticut.
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Watch on medici.tv

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The Orchestra dell'Accademia Nazionale di Santa Cecilia is proudly supported by Enel, Founding Partner and USA Tour Sponsor.

At a Glance

This evening’s concert presents two extravagantly colorful Italian tone poems and a go-for-broke Russian piano concerto, all from the early 20th century. Respighi’s Fountains of Rome and Pines of Rome evoke scenes from the Eternal City that display the composer’s serenity, grandiosity, and mastery of the modern orchestra. Fountains, the more poetic and delicate of the two, depicts Rome’s great fountains at different times of the day, with contrasting effects of light. Pines, more cinematic and expansive, builds to a vision of the Roman legions that produces a spine-tingling frisson in a large, resonant space like Carnegie Hall. Prokofiev’s Third Piano Concerto, a virtuosic workout for the soloist, combines the composer’s signature irony and impishness with wistful lyricism. The concert includes a rare, large-scale overture to Aida that Verdi discarded but Toscanini restored 70 years later as a dramatic tone poem. 

Bios

Orchestra dell'Accademia Nazionale di Santa Cecilia

The Orchestra dell’Accademia Nazionale di Santa Cecilia was the first orchestra in Italy to devote itself exclusively to the symphonic repertoire, giving the premieres of works such ...

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Antonio Pappano

Sir Antonio Pappano has been music director of the Accademia Nazionale di Santa Cecilia since 2005; he has also been music director of the Royal Opera, Covent Garden, since 2002. His past ...

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Martha Argerich

Martha Argerich was born in Buenos Aires, Argentina, and began her piano studies at the age of five with Vincenzo Scaramuzza. In 1955, she moved to Europe and continued her studies in ...

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