Event is Live
CARNEGIE HALL PRESENTS
Berliner Philharmoniker
Wednesday, November 9, 2016
8 PM
Stern Auditorium / Perelman Stage
The Telegraph wrote that Sir Simon Rattle and the Berliner Philharmoniker "were the real thing: glorious …” This concert will show exactly why. Scored for 15 instruments, including mandolin, cimbalom, and vibraphone, Boulez’s Éclat asks the performers to choose the tempo and order in which they perform their music. Mahler’s Symphony No. 7 has its fanciful moments too, including a boisterous finale that suggests the opening of Wagner’s Die Meistersinger, bits of operetta, and a Turkish march. There’s also exotic scoring, including mandolin, cowbells, and guitar in the work’s mysterious nachtmusik ("night music") movements.
Performers
Berliner Philharmoniker
Sir Simon Rattle, Chief Conductor and Artistic Director
Program
BOULEZ Éclat
MAHLER Symphony No. 7
Event Duration
The printed program will last approximately 90 minutes with no intermission.
Perspectives: Sir Simon Rattle
The Carnegie Hall presentations of the Berliner Philharmoniker are made possible by a leadership gift from Marina Kellen French and the Anna-Maria and Stephen Kellen Foundation.
Deutsche Bank is proud to support the Berliner Philharmoniker.
At a Glance
This
concert presents a hypnotic work by the late Pierre Boulez from the 1960s and a
late Mahler symphony that anticipates some of Boulez’s dreamlike effects. The
orchestration in both works is dazzling and inventive, full of unusual timbres
and percussion, including mandolin and guitar. The structure of both works is
daring. Boulez combines improvised “chance” music with strictly calculated
patterns, while Mahler shifts moods and tonalities in the large outer
movements, but delivers spectral nocturnes in the three middle ones. Once
considered too daunting for general audiences, the Mahler’s Seventh has become
increasingly popular in our time and is a signature piece for Sir Simon Rattle.