Event is Live
CARNEGIE HALL PRESENTS
The Philadelphia Orchestra
Tuesday, March 7, 2017
8 PM
Stern Auditorium / Perelman Stage
You don’t need dancers and scenery to make ballet and opera thrilling when you have the electrifying Yannick Nézet-Séguin on the podium. Some of Tchaikovsky's most glorious melodies make his dramatic Swan Lake one of his most timeless ballets. While best known for his orchestral music, Bartók’s opera Bluebeard’s Castle is a riveting one-act psychological drama. The opera’s vocal writing is marvelously expressive and its sumptuous orchestral music is stunning, such as the hair-raising moment when Bluebeard’s kingdom is revealed to his new wife, and also the profound sadness of the lake of tears in the opera’s climactic scene.
Performers
The Philadelphia Orchestra
Yannick Nézet-Séguin, Music Director and Conductor
Michelle DeYoung, Mezzo-Soprano
John Relyea, Bass
Program
TCHAIKOVSKY Selections from Swan Lake
BARTÓK Bluebeard's Castle
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission. Please note that there will be no late seating before intermission.Pre-Concert Talk
Pre-concert talk starts at 7:00 PM in Stern Auditorium / Perelman Stage with Ara Guzelimian, Provost and Dean, The Juilliard School.At a Glance
Despite
centuries of marvelous music connected with dance before him, when Tchaikovsky
wrote Swan Lake, his first full-scale ballet, he created a masterpiece
that set new standards and led to his subsequent ballets The Sleeping Beauty
and The Nutcracker. While Tchaikovsky looked to France for his models,
later composers, such as Stravinsky, saw his accomplishment as opening new
possibilities. Tonight we hear selections from Swan Lake, in which an
evil sorcerer turns the Princess Odette into a swan, including a series of
ethnic dances as part of a great ball.
Bartók’s searing one-act opera Bluebeard’s Castle features just two singers—Bluebeard and his latest wife, Judith—in an intense psychodrama. The piece unfolds as the seven doors of Bluebeard’s castle open to reveal a series of horrors and sorrows endured by his previous wives. Judith would be well advised not to open the last door, but …
Bartók’s searing one-act opera Bluebeard’s Castle features just two singers—Bluebeard and his latest wife, Judith—in an intense psychodrama. The piece unfolds as the seven doors of Bluebeard’s castle open to reveal a series of horrors and sorrows endured by his previous wives. Judith would be well advised not to open the last door, but …