Brooklyn Rider
Anne Sofie von Otter
Performers
Brooklyn Rider
·· Johnny Gandelsman, Violin
·· Colin Jacobsen, Violin
·· Nicholas Cords, Viola
·· Michael Nicolas, Cello
Anne Sofie von Otter, Mezzo-Soprano
Program
PHILIP GLASS Three Selections from "Suite from Bent"
CAROLINE SHAW "Cant voi l'aube" (NY Premiere, commissioned by Carnegie Hall)
COLIN JACOBSEN "For Sixty Cents" (NY Premiere, commissioned by Carnegie Hall)
JOHN ADAMS "Am I In Your Light?" from Doctor Atomic (arr. Evan Ziporyn; NY Premiere, commissioned by Carnegie Hall)
BRAXTON ArpRec1
NICO MUHLY So Many Things (arr. Nico Muhly; NY Premiere, co-commissioned by Carnegie Hall)
JANÁČEK String Quartet No. 1, "Kreutzer Sonata"
BJÖRK "Cover Me" (arr. Erik Arvinder; NY Premiere)
BJÖRK "Hunter" (arr. Vince Mendoza; NY Premiere)
ANDERS HILLBORG "Kvall"
ELVIS COSTELLO "Speak Darkly, My Angel" (arr. Rob Mathes; NY Premiere, commissioned by Carnegie Hall)
KATE BUSH "Pi" (arr. Kyle Sanna; NY Premiere)
Encores:
STING "Practical Arrangement" (arr. Rob Mathes; NY Premiere, commissioned by Carnegie Hall)
ANDERSSON / ULVAEUS "Gimme! Gimme! Gimme!"
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.Pre-Concert Talk
Pre-concert talk starts at 6:30 PM in Zankel Hall with Brooklyn Rider members Nicholas Cords and Colin Jacobsen, and Anne Sofie von Otter in conversation with Jeremy Geffen, Director of Artistic Planning, Carnegie Hall.Anne Sofie von Otter Meets Brooklyn Rider
As we went about the works of gathering the music for this project, we lamented that walls too often separate the music of today. Is it popular music? Is it art music? To which camp does it belong? These somewhat superficial chasms leave audiences and musicians alike in a disorienting landscape. Casting those clouds aside for now, perhaps the simplest way to describe the collaborative music on tonight’s program is as a constellation of diverse songs and compositions whose only prerequisite for inclusion was that the music touched an emotional chord for us collectively. Achieving a synthesis between the highly particular needs of our respective mediums was of paramount importance to bringing it all to life, and we sought out the most sympathetic arrangers and composers we could possibly find. It was through a process of mutual introductions that we gathered this family of musicians, most everybody hailing from our respective homes and past experiences, all now separated to each of us by only one degree.
—Brooklyn Rider