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Event is Live
CARNEGIE HALL PRESENTS

Brooklyn Rider
Anne Sofie von Otter

Thursday, October 13, 2016 7:30 PM Zankel Hall
Take seven of the most talked-about composers of our time—including two Pulitzer Prize winners—add a legendary mezzo-soprano and a cutting-edge string quartet, and you have a recipe for an unforgettable evening of new music. Brooklyn Rider, “one of the wonders of the contemporary music” (NPR), and Anne Sofie von Otter premiere the music of Caroline Shaw and Colin Jacobsen, plus new arrangements by Evan Ziporyn, Nico Muhly, Erik Arvinder, Vince Mendoza, Rob Mathes, and Kyle Sanna of songs by Björk, Elvis Costello, Kate Bush, and more.

Performers

Brooklyn Rider
·· Johnny Gandelsman, Violin
·· Colin Jacobsen, Violin
·· Nicholas Cords, Viola
·· Michael Nicolas, Cello

Anne Sofie von Otter, Mezzo-Soprano

Program

PHILIP GLASS Three Selections from "Suite from Bent"

CAROLINE SHAW "Cant voi l'aube" (NY Premiere, commissioned by Carnegie Hall)

COLIN JACOBSEN "For Sixty Cents" (NY Premiere, commissioned by Carnegie Hall)

JOHN ADAMS "Am I In Your Light?" from Doctor Atomic (arr. Evan Ziporyn; NY Premiere, commissioned by Carnegie Hall)

BRAXTON ArpRec1

NICO MUHLY So Many Things (arr. Nico Muhly; NY Premiere, co-commissioned by Carnegie Hall)

JANÁČEK String Quartet No. 1, "Kreutzer Sonata"

BJÖRK "Cover Me" (arr. Erik Arvinder; NY Premiere)

BJÖRK "Hunter" (arr. Vince Mendoza; NY Premiere)

ANDERS HILLBORG "Kvall"

ELVIS COSTELLO "Speak Darkly, My Angel" (arr. Rob Mathes; NY Premiere, commissioned by Carnegie Hall)

KATE BUSH "Pi" (arr. Kyle Sanna; NY Premiere)


Encores:

STING "Practical Arrangement" (arr. Rob Mathes; NY Premiere, commissioned by Carnegie Hall)

ANDERSSON / ULVAEUS "Gimme! Gimme! Gimme!"

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission. 

Pre-Concert Talk

Pre-concert talk starts at 6:30 PM in Zankel Hall with Brooklyn Rider members Nicholas Cords and Colin Jacobsen, and Anne Sofie von Otter in conversation with Jeremy Geffen, Director of Artistic Planning, Carnegie Hall.
This concert is supported, in part, by The Barbro Osher Pro Suecia Foundation.
Lead support for the 125 Commissions Project is provided by The Andrew W. Mellon Foundation.
Public support for the 125 Commissions Project is provided by the National Endowment for the Arts.
Additional funding is provided by members of Carnegie Hall's Composer Club.

Anne Sofie von Otter Meets Brooklyn Rider

Music is a reflection of our richly nuanced lives, and the repertoire under the vast umbrella of the string quartet medium indeed teaches us much about the human condition. But as grateful as we are for that tradition, working with the incomparable Anne Sofie von Otter has been a near constant reminder that there is nothing quite as expressive as the human voice. Indeed, every string player of honest intentions aspires to the expressive and dramatic palette of the human voice (if we only had a nickel for every teacher who implored us to sing ...). As our rehearsal process began, we immediately sensed that the architecture inherent in the string quartet fused with Anne Sofie’s singular voice yielded something satisfyingly whole. The juxtaposition allowed us to sing, as much as we would venture to guess that it allowed Anne Sofie to play. In our experience, it is almost always in the reaching between two mediums where the interesting “stuff” happens.

As we went about the works of gathering the music for this project, we lamented that walls too often separate the music of today. Is it popular music? Is it art music? To which camp does it belong? These somewhat superficial chasms leave audiences and musicians alike in a disorienting landscape. Casting those clouds aside for now, perhaps the simplest way to describe the collaborative music on tonight’s program is as a constellation of diverse songs and compositions whose only prerequisite for inclusion was that the music touched an emotional chord for us collectively. Achieving a synthesis between the highly particular needs of our respective mediums was of paramount importance to bringing it all to life, and we sought out the most sympathetic arrangers and composers we could possibly find. It was through a process of mutual introductions that we gathered this family of musicians, most everybody hailing from our respective homes and past experiences, all now separated to each of us by only one degree.

—Brooklyn Rider

Bios

Brooklyn Rider

Johnny Gandelsman, Violin
Colin Jacobsen, Violin
Nicholas Cords, Viola
Michael Nicolas, Cello

Brooklyn Rider offers eclectic repertoire in gripping ...




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Anne Sofie von Otter

Grammy Award-winning mezzo-soprano Anne Sofie von Otter is one of today's most recorded artists with an unrivalled discography built across a career that spans more than three  ...

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