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CARNEGIE HALL PRESENTS

Ensemble Connect

Monday, February 20, 2017 7:30 PM Weill Recital Hall
Exciting Baroque music from Venice and a new Venetian-inspired work by Pulitzer Prize-winning composer Caroline Shaw commissioned by Carnegie Hall are performed by Ensemble Connect. As part of La Serenissima, Carnegie Hall’s festival of music and arts from the Venetian Republic, the ensemble performs the vibrant music of Monteverdi (arr. Berio) and Marcello. Virtuosity and versatility have been constants of Ensemble Connect (formerly Ensemble ACJW), from the debut of the first group of performing fellows 10 years ago, to the thrilling performances of the current ensemble.

Part of Salon Encores.

Performers

Ensemble Connect
·· Mika Sasaki, Harpsichord
·· ToniMarie Marchioni, Oboe (Alumni)
·· Rebecca Anderson, Violin
·· Adelya Nartadjieva, Violin
·· Andrew Gonzalez, Viola
·· Maren Rothfritz, Viola
·· Caeli Smith, Viola (Guest)
·· Julia Yang, Cello
·· Lizzie Burns, Double Bass
·· Rebecca Farley, Soprano (Guest)
·· Ian Koziara, Tenor (Guest)
·· Xiaomeng Zhang, Baritone (Guest)
Caroline Shaw, Violin

Program

ROSENMÜLLER Sonata No. 4 in C Major

MONTEVERDI Il combattimento di Tancredi e Clorinda (arr. Berio)

MARCELLO Oboe Concerto in C Minor

CAROLINE SHAW Stucco & Brocatelle (NY Premiere, commissioned by Carnegie Hall)

VIVALDI Sinfonia in B Minor, RV 169, "Al Santo Sepolcro"

VIVALDI Concerto in G Major, RV 151, "Alla rustica"

Event Duration

The printed program will last approximately 90 minutes, including one 20-minute intermission. 
La Serenissima: Music and Arts from the Venetian Republic is sponsored by Chubb.
The Italian Ministry of Cultural Heritage and Activities and Tourism has granted La Serenissima: Music and Arts from the Venetian Republic its official support (“Patrocinio”) in recognition of Carnegie Hall’s celebration of Italy’s extraordinarily rich cultural legacy.

Carnegie Hall gratefully acknowledges the support of the Ministry of Heritage and Culture and Tourism in Rome; the Embassy of Italy in Washington, DC; and the Consulate General of Italy in New York.
Lead support for the 125 Commissions Project is provided by The Andrew W. Mellon Foundation.
Public support for the 125 Commissions Project is provided by the National Endowment for the Arts.
Additional funding is provided by members of Carnegie Hall's Composer Club.
Ensemble Connect is a program of Carnegie Hall, The Juilliard School, and the Weill Music Institute in partnership with the New York City Department of Education.
Major funding has been provided by The Diller–von Furstenberg Family Foundation, Susan and Edward C. Forst and Goldman Sachs Gives, the Max H. Gluck Foundation, the Irving Harris Foundation, The Kovner Foundation, Mr. and Mrs. Lester S. Morse Jr., Phyllis and Charles Rosenthal, The Edmond de Rothschild Foundations, The Morris and Alma Schapiro Fund, and Ernst & Young LLP.

Additional support has been provided by Mr. and Mrs. Nicola Bulgari, Leslie and Tom Maheras, Susan and Elihu Rose Foundation, Sarah Billinghurst Solomon and Howard Solomon, and Trust for Mutual Understanding.

Public support is provided by the New York City Department of Education, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.

Ensemble Connect is also supported, in part, by an endowment grant from The Kovner Foundation.


At a Glance

JOHANN ROSENMÜLLER  Sonata No. 4 in C Major

The early Baroque composer Johann Rosenmüller published this attractive trio sonata in 1682, around the time he returned to Germany after more than two decades in Italy. It is distinguished by its adventurous chromatic harmonies and symmetrical seven-part structure.


CLAUDIO MONTEVERDI  Il combattimento di Tancredi e Clorinda (arr. Luciano Berio)

A “warlike madrigal” based on a story set during the First Crusade, Il combattimento di Tancredi e Clorinda is cut from the same cloth as Monteverdi’s operatic masterpieces. As musicologist Manfred Bukofzer observed, Monteverdi’s dramatic genius provided the vital “spark” that transformed the declamatory idiom of early–17th-century monody into “living music.”


ALESSANDRO MARCELLO  Oboe Concerto in C Minor

Alessandro Marcello was active in Venice at the same time as Vivaldi. Unlike the latter’s hundreds of concertos, however, he wrote fewer than 10, among them one of the earliest concertos for oboe. A lavishly ornamented slow movement is sandwiched between a sweetly lyrical Andante and a fast, virtuosic finale.


CAROLINE SHAW  Stucco & Brocatelle

Caroline Shaw composed this piece for Ensemble Connect, saying that “the contrasting textures of stucco and a heavy brocade known as brocatelle, combined with a consideration of Vivaldi’s swirling string textures and harmonic progressions, inspired this piece. It is filled with curves and filigree, hard and soft edges, and odd harmonic shifts that Vivaldi might have taken in an alternate universe.”


ANTONIO VIVALDI  Sinfonia in B Minor, RV 169, “Al Santo Sepolcro”; Concerto in G Major, RV 151, “Alla rustica”

The wide expressive and coloristic range of Vivaldi’s music is exemplified by these two short works for strings. In contrast to the rustic exuberance of the Concerto in G Major, the two movements of the Sinfonia in B Minorone intense and otherworldly, the other lively and fugal—are suffused with religiosity. 

Bios

Ensemble Connect
Artistry. Education. Advocacy. Entrepreneurship.


Celebrating its 10th anniversary during the 2016-2017 season, Ensemble Connect-formerly known as Ensemble ACJW-was created in 2007 by Carnegie Hall's Executive and ...

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Caroline Shaw


Caroline Shaw is a New York-based musician. She is the youngest-ever winner of the Pulitzer Prize for Music, which she was awarded for her enigmatic composition Partita ...

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