American cellist Ashley Bathgate has been described as an "eloquent new
music interpreter" (The New York Times) and "a glorious cellist" (The Washington
Post) who combines "bittersweet lyricism along with ferocious chops" (New York
magazine). Her "impish ferocity," "rich tone," and "imaginative phrasing" (The New York
Times) have made her one of the most sought-after performers of her time. The desire
to create a dynamic energy exchange with her audience and build upon the ensuing chemistry
is a pillar of Bathgate's philosophy as a performer. Her affinity to dynamism drives
Bathgate to venture into previously uncharted areas of groundbreaking sounds and
techniques, breaking the mold of a cello's traditionally perceived voice. In 2014, Bathgate
premiered Australian composer Kate Moore's Cello Concerto with the ASKO | Schönberg
ensemble at the Gaudeamus Festival (Netherlands). She subsequently recorded an album of
Moore's solo cello works, which was released in 2016 on Cantaloupe Music. In 2015, Bathgate
gave the world premiere of What Moves You, a collaborative performance project
with jookin' dance sensation Lil Buck at the Spoleto Festival USA. Most recently, she
commissioned the composer collective Sleeping Giant to write her a six-movement suite for
solo cello entitled ASH, which was premiered this past January in New York City.
Her recorded work can be found on Albany Records, Cantaloupe Music, Innova Recordings,
La-La Land Records, Naxos, Nonesuch, Starkland, and Uffda Records. Originally from Saratoga
Springs, New York, Bathgate resides in New York City. For more information, visit
ashleybathgate.com.
Robert Blacktours the world, creating unheard of music for the solo double bass.
He collaborates with the most adventurous composers, musicians, dancers, artists, actors,
and technophiles from all walks of life. He has commissioned, collaborated, or performed
with musicians from John Cage to DJ Spooky, Elliott Carter to Meredith Monk, Cecil Taylor
to young emerging composers, as well as the Brazilian painter Ige D'Aquino, Japanese
choreographer Yoshiko Chuma, American actor Kathryn Walker, English sound artist / DJ Mira
Calix, and Swiss-American filmmaker Rudy Burckhardt. Black is a founding and current member
of the Bang on a Can All-Stars. In 2015, he commissioned Philip Glass to compose a
seven-movement solo Partita that includes recited poetry by seven of downtown New
York's most illustrious musician/poets. His current project, titled Possessed, is
a series of solo improvisatory outdoor performances in Utah's rugged canyon/desert
landscape, which will be released by Cantaloupe Records this year. He has also recorded
solo CDs for New World Records (Modern American Bass), Mode Records (The
Complete Bass Music of Christian Wolff and The Bass Music of Giacinto
Scelsi), and O.O. Discs (State of the Bass), as well as his Bang on a Can
All-Stars recordings on Cantaloupe Records. Black maintains a full teaching schedule at The
Hartt School at the University of Hartford, the Festival Eleazar de Carvalho (Brazil), and
the Manhattan School of Music's Contemporary Performance Program. A recipient of numerous
grants, he recently received the Degree of Comendador-Mérito Cultural e Artistico from the
Fundação Educacional, Cultural e Artistica Eleazar de Carvalho in recognition of 25 years
of distinguished contributions to the cultural and artistic life of Brazil. For more
information, visit robertblack.org.
Canadian pianist Vicky Chow has been
described as "brilliant" (The New York Times), "a monster pianist" (Time Out
New York), and a "new star of new music" (Los Angeles Times). She is the
pianist for the Bang on a Can All-Stars, Grand Band, New Music Detroit, and X88, in
addition to collaborating with the International Contemporary Ensemble. Her recent
recordings of Steve Reich's Piano Counterpoint (Nonesuch) and Tristan Perich's
Surface Image (New Amsterdam) were included in the "top albums of the year" lists
in Rolling Stone and on Rhapsody. Her solo album AORTA (New Amsterdam)
features new works by Rome Prize winners Andy Akiho and Christopher Cerrone, and Molly
Joyce, Daniel Wohl, Jacob Cooper, and Jakub Ciupinski. An EP of Sonatra, a new
solo piano work by Bang on a Can founder Michael Gordon, will be released this year on
Cantaloupe Music. As an artist frequently broadcast on WNYC's Q2 radio, her recorded work
can be found on the Nonesuch, New Amsterdam, Tzadik, Cantaloupe Music, Innova,
Hinterzimmer, and AltaVoz labels. Interviews and articles featuring Chow have appeared in
The Huffington Post, Gramophone, The New York Times,
Vancouver Sun, and many more. Her performances of works by Morton Feldman and John
Cage were featured on BBC Four's documentary series The Sound and The Fury, based
on Alex Ross's book The Rest Is Noise. Upcoming commissions include works by
composers Fjóla Evans, David Brynjar Franzson, Gabriella Smith, Vincent Ho, and Nicole
Lizée. For more information, visit vickychow.com.
David Cossinwas born and raised in Queens, and studied classical percussion at
the Manhattan School of Music. His interest in classical percussion, drum set, non-Western
hand drumming, composition, and improvisation has led to performances across a broad
spectrum of musical and artistic forms to incorporate new media with percussion. Cossin has
recorded and performed internationally with composers and ensembles, including Steve Reich
and Musicians, Philip Glass, Yo-Yo Ma, Meredith Monk, Tan Dun, Cecil Taylor, Talujon
Percussion Quartet, and the trio Real Quiet. Numerous theater projects include
collaborations with Blue Man Group, Mabou Mines, and director Peter Sellars. He was
featured as the percussion soloist in Tan Dun's Grammy- and Oscar-winning score to Ang
Lee's Crouching Tiger, Hidden Dragon. Most recently, Cossin is happy to have
performed with Sting on his latest world tour, Symphonicity. He has performed as a
soloist with orchestras around the world, including the Los Angeles Philharmonic, Orchestre
philharmonique de Radio France, Saint Paul Chamber Orchestra, Orquestra Sinfônica do Estado
de São Paulo, Sydney Symphony Orchestra, Gothenburg Symphony Orchestra, and Singapore
Symphony Orchestra. His ventures into other art forms include sonic installations, which
have been presented in New York, Italy, and Germany. He is also an active composer and has
invented several new instruments that expand the limits of traditional percussion. Cossin
is the curator for the Sound Res Festival, an experimental music festival in southern
Italy, and also teaches percussion at Queens College in New York City.
Multi-instrumentalist, singer, composer, and
instrument designer Mark Stewart has been heard around the world
performing old and new music. Since 1998, he has recorded and toured with Paul Simon as his
musical director. A founding member of the Bang on a Can All-Stars, the comic duo Polygraph
Lounge with keyboard and theremin wizard Rob Schwimmer, Stewart has also worked with Steve
Reich, Sting, Anthony Braxton, Bob Dylan, Charles Wuorinen, Cecil Taylor, Meredith Monk,
Stevie Wonder, Philip Glass, Hugh Masekela, Iva Bittová, Bruce Springsteen, Ornette
Coleman, Edie Brickell, Don Byron, Joan Baez, Paul McCartney, Jimmy Cliff, the Everly
Brothers, Fred Frith, Alison Krauss, David Krakauer, Bobby McFerrin, David Byrne, James
Taylor, The Roches, Aaron Neville, and Marc Ribot. He has worked extensively with composer
Elliot Goldenthal on music for the films A Midsummer Night's Dream, The
Tempest, Across the Universe, Titus, The Butcher Boy,
The Good Thief, In Dreams, and Heat, often playing instruments
of his own design and construction. He has additionally designed instruments for TFANA's
productions of A Midsummer Night's Dream and King Lear, and is the
inventor of the Whirly Copter, a bicycle-powered Pythagorean choir of singing tubes, and
the Big Boing, a 24-foot sonic banquet table mbira that seats 30 children playing
490 found objects. Stewart is on the faculty of the Manhattan School of Music and is a
visiting lecturer at MIT. He can be heard on Warner Bros., Sony, Sony Classical,
Point/Polygram, Nonesuch, Label Bleu, Résonance Magnétique, Cantaloupe, and CRI recordings.
He lives in New York City, making his living by playing and writing popular music,
semi-popular music, and unpopular music.
Ken Thomsonis a Brooklyn-based clarinetist, saxophonist, and composer. In demand as a
composer and freelancer in many settings, he moves quickly between genres and scenes,
bringing a fiery intensity and emotional commitment to every musical situation. In addition
to the All-Stars, Thomson has been an anchoring force with Bang on a Can as music director
and saxophonist with Asphalt Orchestra and as a faculty member of Bang on a Can's Summer
Music Festival at MASS MoCA. With his quintet, Slow/Fast, he has toured and released two
discs, including Settle (NCM East Records), about which the Chicago
Reader said, "Few musicians travel as assuredly and meaningfully between jazz and new
music," and The New York Times wrote, "Mr. Thomson's compositions are intricately
wrought and incident-steeped." His 2013 CD, Thaw (Cantaloupe Music), of his
compositions performed by the JACK Quartet, was called the best classical CD of 2013 by
Rhapsody.com and included on NPR's "Top 10 Songs Public Radio Can't Stop Playing." Thomson
co-leads the chamber/punk/jazz band Gutbucket, with whom he has toured extensively
throughout the United States and internationally for more than 16 years. He is also active
as a freelance clarinetist in New York City, performing with Ensemble Signal, International
Contemporary Ensemble, and many more. As a composer, he has been commissioned by the
American Composers Orchestra, Bang on a Can, Doug Perkins, and others, and has received
awards from ASCAP and New Music USA. He is a Conn-Selmer / Selmer Paris and D'Addario
Woodwinds artist. His most recent disc, Restless (Cantaloupe Music), focuses on
two major works for cello and piano performed by Ashley Bathgate and Karl Larson, released
digitally and on vinyl. For more information, visit ktonline.net.